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In a remote clinic in 18th century Italy, a lonely girl writes to her mother. She tells of pale English aristocrats and mysterious Russian nobles. She tells of intrigues and secrets, and strange faceless figures that rise up from the sea. And she tells about the enigmatic Mrs Pond, who arrives with her husband and her trusted physician. What the girl doesn't tell her mother is the truth that everyone at the clinic knows and no one says - that the only people who come here do so to die. This is an adventure set in 18th century Italy, featuring the Eleventh Doctor as played by Matt Smith and his companions Amy and Rory.
- Sales Rank: #1389390 in Books
- Brand: Goss, James
- Published on: 2015-03-03
- Original language: English
- Number of items: 1
- Dimensions: 7.74" h x .56" w x 4.99" l, 1.00 pounds
- Binding: Paperback
- 256 pages
About the Author
James Goss has written three Torchwood novels, a Doctor Who novel, and two radio plays, and is the co-author, with Steve Tribe of The Dalek Handbook and Doctor Who: A History of the Universe in 100 Objects. His Doctor Who audiobook Dead Air won Best Audiobook 2010 and his books Dead of Winter and First Born were both nominated for the 2012 British Fantasy Society Awards.
Most helpful customer reviews
16 of 16 people found the following review helpful.
A Look into the Hearts and Minds of the TARDIS Three
By Kindle Customer
A review in the July 2011 issue of British science fiction magazine SFX declared Dead of Winter the best of "the strongest batch of (Doctor Who novelizations) for quite some time," awarding it four out of five stars. Having read several of others, too, I'm inclined to agree.
One of the pleasures of these spin-offs is how they allow you deeper into the minds of the characters than the show can, granting insight into their personalities and motivations. Author James Goss exploits this opportunity by constructing the book's chapters as alternating letters and diary entries from the first person perspective of various protagonists, including Amy, Rory and (only rarely) the Doctor himself. The other main characters also get a chance to make their voices heard, which convincingly brings them to life.
For a Who fan like me, it's the opportunity to get inside the heads of the main three that really rewards. Rory benefits the most, as he doesn't get a lot of screen time. In Dead of Winter, we learn a lot more about his insecurities and what makes him stick around, despite often feeling like a third wheel.
Check out how, in the middle of a crisis, Goss gives us a peek into how Rory tries to makes sense of the tangled feelings of love, envy, resentment and appreciation that must be his constant companions on the TARDIS: " Amy always knows exactly what to do. Even if she doesn't, she acts like she does. Running through a burning spaceship, laughing. Trust me, she's just the same down the supermarket. Every now and then, I get left behind. I love you, Amy Pond. I know that. I really think you love me too. Sometimes. Well, I wonder if it's just that you really, really, really love me because you do, and sometimes if it's just that you slightly love me just because of the way that meeting the Doctor meddled with your childhood. If you see what I mean. See, now, that bit makes me cross. Cross because I don't like that thought as it works out badly whatever way you look at it. I'm cross that the Doctor messed up your head, but if he hadn't, perhaps we wouldn't be married. So maybe I should be grateful. The next thing I tell you is a lie, the last thing I told you was the truth. Bang."
Lovely. It sounds like you're right inside his head as he works through his mixed emotions. The way he compares Amy reactions to a cosmic crisis to a supermarket run is classic. It reminds us of the characters humanity, and the deep bonds between them.
Of course, being Rory, some of his thoughts are marvelous throw-aways, like this one: "The hospital once organised a Fun Run. There is, trust me, no such thing."
Amy also tells some of the story, sounding very Amy-ish, as in this early entry where a rollicking TARDIS draws them to their upcoming adventure: "Something else exploded, and the ship lurched again. You know that terrible feeling on an airplane when you hit turbulence and suddenly remember that you're in a thin metal tube that really has very little business being miles off the ground? That! I could just see across to a large screen which showed us tumbling through the Time Vortex like ball bearings down a drain. 'Something pretty bad's happening nearby in the space-time continuum,' the Doctor shouted over the noise. `The TARDIS is a terrible rubbernecker - like a little old lady, she can't resist slowing down for a gawp at a car crash in the next lane. Bless.'"
Goss does a great job moving his creepy story along while giving us extraordinarily vivid characterizations. He also captures something few Who projects do - the sense of melancholy the Doctor must experience on an almost-daily basis, because, no matter how many people he saves, there are others he must let go. They are doomed by history, as there is only so much the Doctor can change the past without serious repercussions. The most he may be capable of is paying witness to their fate and easing their way as best he can. While many Who books are fun reads, Dead of Winter made me really think about what life must be like for these adventurers.
There's a particularly lovely passage very near the end of the book where the Doctor describes his role in affairs that offer no easy ending. Quoting it here wouldn't ruin the story for you, but as it comes so late in the book, I think I better not, lest River Song show up and chide me for "spoilers!" Plus, it's a quote best enjoyed in context.
And enjoy it you should. This is probably the best Who tie-in I've read. It's unique story structure may not work for everyone, but I could say the same of the show itself, especially in the Moffat era. Dead of Winter is written in a way that's non-traditional and unafraid to take risks - sounds like a certain guy I know who can make even a Fez look cool, no?
20 of 23 people found the following review helpful.
Doctor WHO????
By Wendy
First of all let me start off by saying, I absolutley adore Doctor Who and I have read and seen almost everything pertaining to Doctor Who. I honestly can not get enough. I wish I could BE a companion and share in all the adventures just as I am sure every Doctor Who fan would love to do. That being said this particular Doctor Who is absolutley nothing like the real Doctor. Through out the book I kept asking myself has the author ever actually seen a Doctor Who episode? And if so how much of it did he watch? What like five minutes with commercials?
This was by far the WORST DW book I have ever read. Amazingly bad. Rory is portrayed as some kind of depressed loner who would never ever do anything about anything if it wasn't for Amy. Amy is portrayed as some kind of crazy party hopping space-cadet who is completely shallow and inept at all things. But the worst beyond worst is the Doctor. The author wrote him as this big daft idiot who listens to no one but himself (not that he had a single thought ever in his head) and really holds none of the real Doctor's principles to heart. Furthermore the Doctor is written as to hate Rory, by hate I mean the Doctor wouldn't even spit in Rory's direction if Rory was on fire. Does that sound like the Doctor? NO. The Doctor has always been about helping people and believing in people and trying to get everyone to be their best and think their best. Their is no question as who to help- the Doctor always try to help everyone.
This author completely missed the point- I'm surprised that they even put the DW on this book. I kid you not Doctor Who fans, the schelp who wrote this novel actually had the Doctor hiding in a cubbard. A cubbard! If I could I would grab up every single copy of this book and burn them for homeless people on the street- then people could actually get some use out of this literary waste. Also, burning these books would be a better example of the real Doctor because at least then this "writer" would have a Doctor who was actually doing something and helping others.
I hope I saved some other Doctor Who fans from this Doctor mis-adventure. I suggest not to ever reading this book if it can be avoided but if by some poor luck on your part this Doctor-Who-Hating-"writer" shows up your door and forces you to read his book I would suggest instead putting paper cuts on your eyes to stop you from reading it, or banging your head so hard on the book that you become illiterate- Anything you can do to avoid this "Doctor Who" novel would be worth it.
6 of 6 people found the following review helpful.
Dead of Winter - A Twelve-year-old Girl's Review
By Adeline
Dead of Winter is a 255-page novel, that can be enjoyed by both kids and adults. It is divided into many many short unnumbered chapters. The different chapter titles are repeated many times and are called: "What Amy Forgot", "What Amy Remembered", "A Letter From Maria", "Dr. Bloom's Journal", "A Letter from Mr. Nevil", and "The Story of Rory" with some exceptions, such as a chapter called "What Dr. Smith Thought", and "Extract from a Letter from Prince Boris", and "The Doctor's Last Thoughts" (which is just as good as it sounds).
The story is told in first person, switching from Amy's point of view, to Rory's pov, for a tiny tiny bit the Doctor's pov, and to an eleven-year-old girl called Maria's pov, and to a guy called Dr. Bloom's pov, to an annoying man called Mr. Nevil's pov, etc. Basically, Amy, Rory, and the Doctor all lose their memories, and are taken in by the mysterious but seemingly well-meaning Dr. Bloom. There is a big surprise in the middle of this book, with is confusing at first, but afterwords pretty cool. There is also another surprise at the end of the book. Rory has a big part in the book, but he and the Doctor don't seem to like each other very much (sadly). This is a great book if you love Rory and you love sort of emotional parts in Doctor Who.
It's especially good if you've watched at least most of season 5 of Doctor Who, and preferably the beginning of season 6. The eleven-year-old doesn't act too too young, as in some Doctor Who books kids do. Dead of Winter is also nice because you get to see more of the characters' thoughts. It really makes you think harder about them (if you don't already), especially about Rory.
Dead of winter is the first Doctor Who novel I have read with Rory in it, and definitely my favorite of all Doctor Who novels. James Goss is a good author, and the story really makes you not want to put it down. It might just be that I love Doctor Who, but I think this is an extraordinarily good book.
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